1. Independent Publications
  2. Articles
  3. Book Parts
  4. Exhibitions
  5. Lectures by Invitation
  6. Knowledge transfer
  7. Spokesperson
  8. Recordings in historically informed performance practice
  9. Public Engagement in Science (TV and Radio broadcasts and CD recordings)
  10. Scientific art performances (selection)
  11. Founder of Networks
  12. World Premieres

 

Independent Publications

  1. Estrada Bascuñana, C. (2016). Echoes of the Master: A Multi-dimensional Mapping of Enrique Granados’ Pedagogical Method and Pianistic Tradition (doctoral thesis monograph, published), University of Sydney.
  2. Bennet, R., Estrada Bascuñana, C. Unearthly Delights. Lyfestyle, The Manly Daily (05/2014), 17-24.
  3. Cabrera, N., Estrada Bascuñana, C. Pianista Carolina Estrada en concierto. El semanario español (3/2014), 3. Estrada Bascuñana, C. Enrique Granados: Embracing Romanticism and Spanish Folklore. Limelight (4/2014).
  4. Martínez, D., Estrada Bascuñana, C. Susanne Skyrm y Lark Powers estarán en el Festival de Musica de Tecla Española. Diario de Almeria. (7/2014), 53.
  5. Estrada Bascuñana, C. (2014). Música de Granados a Sydney. Diario Segre (3/2014), 38.
  6. Estrada Bascuñana, C. Zanni y Portella, un concierto para repetir. Menorca (8/2007) ,
  7. Estrada Bascuñana, C. (2005). In Memoriam. Donem la Nota (6/2007) ,13.
  8. Estrada Bascuñana, C. Música i Paraula. Donem la Nota (3/2007) ,17
  9. Estrada Bascuñana, C. Música. El Periódico (1/2007), 45.
  10. Estrada Bascuñana, C, (2005). Centenari de la Mort de Pablo Sarasate. Donem la Nota (8/2006), 18.
  11. Estrada Bascuñana, C. Aniversaris Oblidats Donem la Nota (4/2006), 16.
  12. Estrada Bascuñana, C. Maria Callas, 30e Aniversari. Donem la Nota (2/2006), 14.
  13. Estrada Bascuñana, C. (2005). Piano a 4mans i a 4 peus. Donem la Nota (1/2006), 16.

Articles

  1. Estrada Bascunana, Carolina (2020), The Lost Sounds of the Nightingale: A Music Revival in the Digital Era, Carolina Estrada Bascunana, HKB Zeitung, (4), S.21, https://issuu.com/hochschulederkunstebern/docs/201214_hkb_zeitung_4_20
  2. Estrada Bascunana, Carolina (2020), Music Goes Digital in the Age of Social Distancing, in SocietyByte – Wissenschaftsmagazin des BFH-Zentrums Digital Society BFH, online, https://www.societybyte.swiss/2020/10/02/music-goes-digital-inthe-age-of-social-distancing/
  3. Estrada Bascuñana, C. (2019), Machine-Learning Methods for Analysis and Generation of Expressive Performance, in SocietyByte – Wissenschaftsmagazin des BFH-Zentrums Digital Society BFH, online edition, https://www.societybyte.swiss/en/2019/12/10/machine-learning-methods-for-analysis-and-generation-of-expressive-performance/
  4. Estrada Bascuñana, C. (2017), New Approaches to Enrique Granados’ Pedagogical Methods and Pianistic Tradition: A Case of Study of Valses poéticos op. 43. Diagonal: An Ibero-American Music Review, 2(1). http://dx.doi.org/10.5070/D82135899 Retrieved from https://escholarship.org/uc/item/3z711898

Book parts

  1. Estrada Bascuñana, C. (2020), Granados’ Secrets Revealed by His Piano Rolls in: Enrique Granados in context: The Spanish Piano School and Pre-War Artistic Movements, edited by Luisa Morales, Michael Christoforidis and Walter Clark.Spanish Keyboard Music Series vol. 6. FIMTE, p. 1–
  2. Estrada Bascuñana, C. (2019), Enrique Granados’s Performance Style: Visualising the Audible Evidence, in: Rund um Beethoven. Interpretationsforschung heute, edited by Thomas Gartmann and Daniel Allebach, Schliengen: Argus 2019 (Musikforschung der Hochschule der Künste Bern, vol. 14), p. 150–179. Retrieved from https://www.hkb-interpretation.ch/fileadmin/user_upload/documents/Publikationen/Bd.14/HKB14_Rund_um_Beethoven.pdf

Exhibitions

  1. Series of Video Presentation on the embodiment method, synchronised performance and historical performance reconstructions (December 2020):”Nightingale SNF Project” The video demonstration include content on digital Transformation in Music Performance, performance synchronizations, Disklavier, historical and modern pianos, experimental practice using Disklavier and historical pianos, sources for research on performance style of 19th-century Spanish pianists, recording emulations and practical experimentation and production of experimental recordings

Lectures by invitation (selection)

  1. Estrada Bascuñana, C. (2020) Early Recordings: Methodologies in Research and Practice, Institute of Musical Research and the Royal Musical Association, 10.07.2020 19th-century Spanish pianist’s performances
  2. Estrada Bascuñana, C. (2019) Patrimonio sonoro grabado. SP: Ciudad universitaria, Madrid
  3. Estrada Bascuñana, C. (2018). 19th-century performance style in Spain: Documenting Expressive Gestures of Pianists on Roll. London International Piano Symposium. UK: Royal Academy of Music, London.
  4. Estrada Bascuñana, C. (2018). The transformation of 19th century piano performance in Barcelona. Correct, but not beautiful performance. Australia: Sydney Conservatorium of Music.
  5. Estrada Bascuñana, C. (2018). Spanish Music in the 19th century: Physical Gestures Captured on Piano Rolls. Doctors in Performance. Lithuania : Lithuanian Academy of Music and Theatre, Vilnius (CS).
  6. Estrada Bascuñana, C. (2017). Documenting Historical Performance and Musical Expression beyond the Score. Rund um Beethoven – Interpretationsforschung heute. Switzerland: Hochschule der Künste Bern
  7. Estrada Bascuñana, C. Le sens musical derrière les enregistrements historiques d’Enrique Granados. 5e Journee des Jeunes Chercheurs du GREAM, L’analyse musicale au-delà de la partition, 17 mars 2017. University of Strasbourg, France. Retrieved from https://gream.unistra.fr/publications/audiovideo/journees-detudes/2017/5eme-journee-des-jeunes-chercheurs-du-gream/
  8. Estrada Bascuñana, C. (2016). Shifting to a New Musicology and the Multidimensional Mapping of Enrique Granados’ Pedagogical Methods and Pianistic Tradition: A Case of Study of Valses Poéticos, op.43. The life and Music of Enrique Granados (1867–1916): A Centennial Celebration. USA: City University of New York, The Graduate Center.
  9. Estrada Bascuñana, C. (2016). The Value of Recordings: Piano Rolls by Enrique Granados treasured at the Biblioteca de Catalunya. Diskografentag – International Conference. Gesellschaft für Historische Tonträger. Spain: Biblioteca de Catalunya, Museu de la Música, Escola Superior de Música de Catalunya (ESMUC) and Museu del Cinema de Girona.
  10. Estrada Bascuñana, C. (2014). Poetry in motion: Exploring Authenticity in the Performance of Enrique Granados Valses Poéticos op. 43 (1887). 12th Symposium on Spanish Keyboard Music. Early Music revivals and the Performance of Spanish Keyboard Music. Spain: International Spanish Music Keyboard Festival, FIMTE.
  11. Estrada Bascuñana, C. (2013). Press Conference, Town Hall Lleida, Spain: X International Music Seminar Cervera-Jorda.
  12. Estrada Bascuñana, C. (2013). The Catalan School of piano Playing: a performance analysis of three dances from the 12 Spanish dances by Enrique Granados. Encuentros Españoles: The Nexus between Spanish music and dance Conference. Sydney, Australia: Encuentros Españoles Festival.
  13. Estrada Bascuñana, C. (2013). Pianism in Spain: Conversations with the maestros. Musicology Colloquium Series. Sydney Conservatorium of Music, Sydney Australia: Musicology Colloquium Series
  14. Estrada Bascuñana, C. (2013). Press Conference at Residencia d’Investigadors de Barcelona, Spain: Barcelona Festival of Song.
  15. Estrada Bascuñana, C. (2012). Spanish Pianism: Conversations with the maestros. Spanish music and their [Western] Others: Negotiating Identity and exoticism Conference. Australia: Melbourne Conservatorium of Music and The University of Melbourne.

Knowledge transfer

  1. Estrada Bascuñana, C. (2017). Un misterio oculto entre las Notas. Seminar at the Instituto Cervantes, Tokyo, Japan.
  2. Estrada Bascuñana, C. (2017). HIP: Input & exercise. Seminar at the Bern University of the Arts,
  3. Estrada Bascuñana, C. (2016) Enrique Granados: A Portrait of Spain. Opening of the The Art of Piano Performance Festival, National Philharmonic of Ukraine.
  4. Estrada Bascuñana, C. (2016) Research performance day. Tokyo Nikikai Opera Foundation Festival: Yomiuri Ootemachi Hall.
  5. Estrada Bascuñana, C. (2014) Seminar at the Barcelona Festival of Song: Researchers residence.
  6. Estrada Bascuñana, C. (2013) Seminar at the International Festival of Spanish Music and Dance: Verbrugghen Hall, Sydney.
  7. Estrada Bascuñana, C. (2012) Seminar at the Festival Internacional de Música de Tecla Española.

Spokespersonship

  1. HARPS’s chair speaker (2018)
  2. Tokyo Nikikai Opera Foundation: spokesperson executive committee (2015-2017)
  3. Japanese Society of Spanish Piano Music: spokesperson executive committee (2015-2017).
  4. Spokesperson, co-founder and organiser of Encuentros Españoles: The Nexus of Spanish Keyboard Music and Dance, the International Festival and Symposium of Spanish Music and Dance at the Sydney Conservatorium of Music (19-27 October 2013). Amount of funding received: 35,000 AUD.
  5. Spokesperson: Press Conference at “Residencia d’Investigadors” at the Barcelona Festival of Song, 2013.
  6. Spokesperson: Press Conference, Town Hall Lleida, Spain: X International Music Seminar Cervera-Jorda.
  7. Moderator of the Barcelona Piano Festival Conference and Round Table. Public discussion on pedagogy and performance practices in Spain by the turn of the 20th century (June 2012).

 

Recordings in historically informed performance practice

  1. Estrada Bascuñana, C. Performance Reconstructions, COLUMNA MUSICA CD recording, (recording sessions in July 2021, to be recorded at the HKB recording studios under the direction of Benoit Piccand.
  2. Estrada Bascuñana, C. (2007). Live recording, Catalan National Radio. Pau Casals Concert Hall, Tarragona.
  3. Estrada Bascuñana, C. (2004). His Master´s Choice, QUALITY CLASSICS CD recording. 
  4. Estrada Bascuñana, C. (2003) Live recording, Spanish National Radio. El CorteIngles Concert Hall, Barcelona. 
  5. Estrada Bascuñana, C. (2003) From Russia with Love, QUALITY CLASSICS CD recording.

Public Engagement in Science (TV and Radio broadcasts and CD recordings)

  1. Estrada Bascuñana, C. Spanish pianist Carolina Estrada performed for the first time in Ukraine. TCH Ukranian National Television (6/2016, Kiev – https://tsn.ua/video/video-novini/v-ukrayini-vpershe-vistupila-z-koncertom-vidoma-ispanska-pianistka-karolina-estrada.html?utm_source=page&utm_medium=relevantvideo).
  2. Burrus, J.V., Estrada Bascuñana, C. (2015). Fine Music 102,5, Sydney, Australia
  3. Gemio, I., Estrada Bascuñana, C. (2014). Te Doy mi palabra, Onda Cero, Madrid, Spain.
  4. Rosas, S., Estrada Bascuñana, C. (2014). Manos Latinas, SBS News, Sydney, Australia.
  5. Sanchez, C., Estrada Bascuñana, C. (2013). SBS News, Melbourne, Australia.
  6. Torrens, A., Estrada Bascuñana, C. (2013). Notes de Classica. Catalunya Musica, Barcelona, Spain.
  7. Rosas, S., Estrada Bascuñana, C. (2013). SBS News, Sydney, Australia
  8. Torrens, A., Estrada Bascuñana, C. (2012). Notes de Classica. Catalunya Musica, Barcelona, Spain.
  9. Estrada Bascuñana, C., Catalunya Musica, live recording at Pau Casals Concert Hall (2007).
  10. Verschoor, M., Estrada Bascuñana, C., His Master’s Choice, Quality Classics, CD Recording (2004).
  11. Verschoor, M., Estrada Bascuñana, C., Duran Arufe, D., From Russia with Love, Quality Classics, The Netherlands, CD Recording (2003).
  12. Estrada Bascuñana, C., Piano Recital, Radio Nacional de España, RNE live recording (2003).

Scientific art performances (selection)

  1. Estrada Bascuñana, C., Shioda, M., (2017). 1. Elegia Eterna, 2. Combat del Somni, 3. Cançó Incerta, 4. Festeig, 5. Maig, 6. Canticel. カタルニアの風. Tokyo Bunka Kaikan, Japan: Nikikai Opera Foundation.
  2. Estrada Bascuñana, C., Shioda, M., Alonso, A., (2016). La Maja de Goya. Yomiuri Ootemachi Hall, Tokyo, Japan: Nikikai Opera Foundation.
  3. Estrada Bascuñana, C., (2016). Carolina Estrada’s Tribute to Enrique Granados. Cuadros Goyescos. Instituto Cervantes Sydney, Australia: Spanish Embassy in Australia.
  4. Estrada Bascuñana, C., Almuzara, J.M., (2015). Antoni Gaudí, buscando la luz. Iglesia de Belen, Barcelona, Spain: Asociación probeatificación de Antoni Gaudí and Sagrada Familia
  5. Estrada Bascuñana, C., (2015). Morir de Amor. European Museum of Modern Art, Barcelona, Spain.
  6. Estrada Bascuñana, C., Alvarado, C., Manly Warringah Orchestra (2015). Nights in the Gardens of Spain, concerto for piano and Orchestra. Reaching for the stars. Cardinal Cerreti Memorial Chapel St. Patrick’s Estate, Sydney, Australia: Manly and Warringah Council
  7. Estrada Bascuñana, C., Alvarado, C., Manly Warringah Choir (2015). El cant de les Estrelles. Reaching for the stars. Cardinal Cerreti Memorial Chapel St. Patrick’s Estate, Sydney, Australia: Manly and Warringah Council
  8. Estrada Bascuñana, C., (2015). Spanish Modernism. Balmain, Sydney, Australia: IBClassics.
  9. Estrada Bascuñana, C., (2014). El piano de Granados i Falla. Nord American Institute, Barcelona, Spain: Barcelona Festival of Song
  10. Estrada Bascuñana, C., (2014). Embracing Spanish Folklore and Romanticism. Lane Cove Music, Sydney, Australia: Iberia Classics.
  11. Estrada Bascuñana, C., Ricci, N., Los Carmonas, D. (2014). Spanish Rapsody arr. for two pianos and dancer. A Spanish Feast. Verbrugghen Hall, Sydney Conservatorium of Music, Sydney, Australia: Encuentros Españoles and Sydney Conservatorium.
  12. Estrada Bascuñana, C., Rojas, D., (2014). Hommage a Manuel de Falla for two pianos. A Spanish Feast. Verbrugghen Hall, Sydney Conservatorium of Music, Sydney, Australia: Encuentros Españoles and Sydney Conservatorium.
  13. Estrada Bascuñana, C., McNaughton, L., Peñalver, C. (2013). Danses andalouses: ‘Ritmo’ and ‘Gracia’ for two pianos. 2. Spanish Dance No.2 from La Vida Breve arr. for 2 pianos with flamenco dancer. El baile a dos pianos. East Recital Hall, Sydney Conservatorium of Music, Sydney, Australia: Encuentros Españoles and Sydney Conservatorium.
  14. Estrada Bascuñana, C., Ricci, N., McNaughton, L. (2013). El Amor Brujo arr. by Keyna Wilkins: 1. Danza del terror 2. Pantomime 3. Cancion del fuego fatuo 4. Danza ritual del fuego. Encuentros Españoles: Final Concert. Verbrugghen Hall, Sydney Conservatorium of Music, Sydney, Australia: Encuentros Españoles and Sydney Conservatorium.

Founder of Networks

  1. Estrada Bascuñana, C. (2020). NFT Artwork founder and creator: Digital Music Compositions and Limited edition Art [https://iberiaclassics.com/]
  2. Estrada Bascuñana, C. (2015). Founder of the social network “Iberia Classics” to engage academic discussions among scholars and professional musicians. The page is administered by a team of world-leading experts in the field of Spanish Music and historical performance. https://es-es.facebook.com/iberiaclassics/

 World Premieres

  1. Estrada, C., Tello, J.,(2016). “Soneto XV de Dante” *World Premiere, BCN, Spain.
  2. Estrada, C., (2016). “Cuadros Goyescos” *World Premiere, Sydney, Australia.
  3. Estrada, C., (2015). Escena Religiosa. *Australian Premiere, Sydney, Australia.
  4. Estrada, C., (2015). Cant de les Estrelles. *Australian Premiere, Sydney, Australia.
  5. Estrada, C., Ricci, N., McNaughton, L. (2013). El Amor Brujo for three pianos arr. by Keyna Wilkins: 1. Danza del terror 2. Pantomime 3. Cancion del fuego fatuo 4. Danza ritual del fuego. *World Premiere, Sydney, Australia.